a raisin in the sun by lorraine hansberry movie

The script’s unevenness does make you wonder, though, how Hansberry might have reworked it if she’d had the energy, and the privilege of time - and to what degree she, a Black woman and closeted lesbian in the very white, very male, ostensibly straight world of midcentury American theater, felt pressure to conform in her playmaking.īecause really? Sidney Brustein, whom she has placed at the center of this crowded tragicomedy, is not an interesting person. Rapidly transferring to Broadway, it opened last week on the final day of Tony Awards eligibility, while asking critics to stay away until this week. Maisel” - made Anne Kauffman’s production a scorching-hot ticket earlier this year at the Brooklyn Academy of Music. The leads’ considerable box-office appeal - Isaac perhaps most widely known for his role in the “Star Wars” sequels, Brosnahan for playing the title character in the Amazon series “The Marvelous Mrs.

Rachel Brosnahan plays his wife, Iris, an actress manqué whose greatest feat of performance has been shaping herself into what he wants her to be. Revised further by her ex-husband and literary executor, Robert Nemiroff, after her death, it has returned to Broadway, at the James Earl Jones Theater, with Oscar Isaac in the title role of a bloviating, early ’60s Greenwich Village intellectual. All of which surely helps to explain the unwieldiness of “The Sign in Sidney Brustein’s Window,” a play that we might have looked back on as an early effort if only Hansberry had lived.

A raisin in the sun by lorraine hansberry movie